Conference Proceedings: C. Spyridis, A. Georgaki, G. Kouroupetroglou and C. Anagnostopoulou (Eds): "Proceedings of the 4th Sound and Music Computing Conference (SMC07)", 11-13 July 2007, Lefkada, Greece, ISBN 978-960-6608-75-9
Keynote Speech 1
Keynote Speech 2
Audio Synthesis
Oral Presentations
- Sound synthesis and musical composition by physical modelling of self-sustained oscillating structures, F. Poyer, C. Cadoz
- Mapping chaotic dynamical systems into timbre evolution, C. Rizzuti
- A component-based framework for the development of virtual musical instruments based on physical modeling, P. Tzevelekos, T. Perperis, V. Kyritsi, G. Kouroupetroglou
Poster Presentations
Multimedia
Oral Presentations
- Advanced sound manipulation in interactive multimedia environments Y. Deliyiannis, A. Floros, C. Tsakostas
- LISTEN LISBOA: Scripting languages for interactive musical installations, C. Le Prado, S. Natkin
- Reviewing the transformation of sound to image in new computer music software E. Lemi, A. Georgaki
Poster Presentations
Music Analysis
Oral Presentations
- Injecting periodicities: Sieves as timbres, D. Exarchos
- Pitch spelling: Investigating reductions of the search space, A. Honingh
- Modelling dynamics of key induction in harmony progressions, M. Rohrmeier
- Automatic semantic annotation of music with harmonic structure, T. Weyde, J. Wissmann
Poster Presentations
Music Cognition
Oral Presentations
- Measured characteristics of development in adolescent singers, C. Barlow, D. Howard
- An innovative method for the study of African musical scales: Cognitive and technical aspects, S. Arom, N. Fernando, F. Marandola
- VEMUS - Feedback and groupware technologies for music instrument learning, D. Fober, S. Letz, Y. Orlarey
Poster Presentations
Machine Learning and MIR
Oral Presentations
- A semi-automated tagging methodology for Orthodox Ecclesiastic chant acoustic corpora, G. Chryssochoidis, D. Delviniotis, G. Kouroupetroglou
- Implementation of algorithms to classify musical texts according to rhythms, A. Chen, C. Iliopoulos, S. Michalakopoulos, M. Rahman
- Experimental (δ, γ) - pattern - matching with Don't Cares, C. Iliopoulos, M. Mohamed, V. Mohanaraj
Poster Presentations
Composition Systems - 1
Oral Presentations
- Mixing time representations in a programmable score editor, C. Agon, J. Bresson
- A system of interactive scores based on Petri nets, A. Allombert, G. Assayag, M. Desainte Catherine
- Synthesis of a macro sound structure within a self organizing system, S. Bökesoy
Interfaces for Control - 1
Oral Presentations
- Prolegomena to sonic toys, A. De Götzen, S.Serafin
- Generation and representation of data and events for the control of sound synthesis, J. Bresson, M. Stroppa, C.Agon
- A dynamic interface for the audio-visual reconstruction of soundscape, based on the mapping of its properties, C. Stratoudakis, K. Papadimitriou
Poster Presentations
- Gestural control of sonic swarms: Composing with grouped sound objects, T. Davis, O. Karamanlis
- Beyond movement an animal, beyond an animal the sound, A. Philippides
- Controlling aural and visual particle systems through human movement, C. Guedes, K. Woolford
- Fractured sounds, fractured meanings: A glove-controlled spectral instrument, D. Litke
- Cephalomorphic interface for emotion-based music synthesis, V. Maniatakos
- Wirelessly interfacing with the Yamaha Disklavier Mark IV, M. Teeter, C. Dobrian
Aesthetics
Oral Presentations
- Some symbolic possibilities specific to electroacoustic music, J. Di-Santo
- Authenticity issue in performing arts using live electronics, M. Guercio, J. Barthelemy, A. Bonardi
- Embodiment and agency: Towards an aesthetics of interactive performativity, J. Kim, U. Seifert
- Is knowledge emerging in the secrecy of our digital collections?, F. Rousseaux, A. Bonardi
Poster Presentations
- KLAMA: The voice from oral tradition in death rituals to a work for choir and live electronics, G. Spiropoulos, B. Meudic
- Multi-channel formats in electroacoustic composition: Acoustic space as a carrier of musical structure, N.Stavropoulos
- The breaking-continuity paradox in artificial vocality aesthetics, B. Bossis
Signal Analysis / Synthesis
Oral Presentations
- From music symbolic information to sound synthesis: An XML-based approach, G. Haus, L. Ludovico, E. Russo
- Preparing for TreeTorika: Computer-assisted analysis of Mao's oratory, P. Lindborg
- Cordis Anima physical modeling and simulation system analysis, A. Kontogeorgakopoulos, C. Cadoz
Poster Presentations
- Large scale musical instrument identification, E. Benetos, M. Kotti, C. Kotropoulos
- A neural network approach for synthesising timbres from adjectives, A. Gounaropoulos, C. Johnson
- Real-time spatial mixing using binaural processing, C. Tsakostas, A. Floros, Y. Deliyiannis
- ORPHEUS: A virtual learning environment of Ancient Greek music, D. Politis, D. Margounakis, G. Botsaris, L. Papaleontiou
Signal Analysis
Oral Presentations
- Horizontal and vertical integration / segregation in auditory streaming: A voice separation algorithm for symbolic musical data, I. Karydis, A. Nanopoulos, A. Papadopoulos, E. Cambouropoulos, Y.Manolopoulos
- Time domain pitch recognition, M. Chourdakis, H. Spyridis
- Image to sound and sound to image transform, H. Spyridis, A. Moustakas
- SRA: A web-based research tool for spectral and roughness analysis of sound signals, P. Vassilakis
Poster Presentations
Composition Systems - 2
Oral Presentations
- A grammatical approach to automatic improvisation, R. Keller, D. Morrison
- Digitally augmented everyday objects in music composition, J. Kojs, S. Serafin
- Autosimilar melodies and their implementation in OpenMusic, E. Amiot, C. Agon, M. Andreatta
Poster Presentations
Interfaces for Control - 2
Oral Presentations
- A platform for real-time multimodal processing, A. Camurri, P. Coletta, M. Demurtas , M. Peri, A. Ricci, R. Sagoleo, M. Simonetti, G. Varni, G. Volpe
- Self-Space: Interactive, self-organized, robotics mediated, cross-media platform for music and multimedia performance, M. Giannoukakis, G. Zannos
- Image features based on two dimensional FFT for gesture analysis and recognition, P. Modler, T. Myatt
Poster Presentations
Studio Reports
- The program in electronic music composition and musical production at the School of the Arts of the Polytechnic Institute of Castelo Branco, C. Guedes, R. Dias
- Sonification of gestures using Specknets, V. Lympouridis, M. Parker, A. Young, D. Arvind
- Mapping and dimensionality of a cloth-based sound instrument, D. Birnbaum, F. Abtan, S. Wei, M. Wanderley